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1962 dramaturg si prozator playwright and prose writer

Doamna Bovary sunt ceilalti. Texte pentru teatru, I, 1993; Mephisto. Texte pentru teatru, II, 1993; Proba cu martori, 1996; Misterele Bucurestilor, 1997; Caderea Bastiliei, 1998; Decembrie in direct, teatru, Editura Allfa, 1999

Madame Bovary Is the Others, Texts for Theater, I, 1993; Mephistopheles. Texts for the Theater, II, 1993; Evidence with Witnesses, 1996; The Mysteries of Bucharest, 1997; The Fall of the Bastille, 1998; December live, Allfa Publishing House, 1999

Horia Garbea reprezinta sansa teatrului romanesc de a se rescrie continuu, deconstruindu-se autoironic si integrandu-se din mers in ultimul tren intertextual al postmodernismului. Putini autori de la noi - sau, mai bine zis, nici unul - nu au reusit sa faca si altceva decat sa maimutareasca mimetic aceasta sinteza culturala preapocaliptica. (Dan-Silviu Boerescu)

Horia Garbea represents the opportunity of the Romanian theater to re-write itself on a permanent basis, de-constructing itself in self irony and integrating into the last inter-text train of post-modernism. Few Romanian writers - or, rather, none - has managed to do anything else than mimetically mutate this pre-apocalyptic cultural synthesis. (Dan-Silviu Boerescu)