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1936 poet si critic literar poet and literary critic
Un trandafir invata matematica, 1968; Trei nori, 1969; Miron Pompiliu
si Junimea, 1969; Raul incinerat, 1971; Saluta viata, 1972; Teritoriu
liric, 1972; Inflorirea lucrurilor, 1973; Idei si forme critice, 1973;
Bacovia, un antisentimental, 1974; Apologii, 1975; Rigoarea vazduhului, 1978;
Poeti romani de azi, 1979; Critici romani de azi, 1981; Intre
critici, 1983; Contemplatii, 1984; Cotidiene, 1986; Existenta poeziei, 1986;
De la Eminescu la Nicolae Labis, 1989; A doua viata, 1997; Poezia romana
contemporana, vol. I-II, Editura revistei "Convorbiri literare", 2000
A Rose Learns Mathematics, 1968; Miron Pompiliu and Junimea, 1969; The Cremated
River, 1971; Lyrical Territory, 1972; The Flourishing of Things, 1973; Critical
Ideas and Forms, 1973; Bacovia, an Anti-Sentimental, 1974; Apologetics, 1975;
Rigor of the Heavens, 1978; Romanian Poets Today, 1979; Romanian Critics Today,
1981; Among Critics, 1983; Contemplation, 1984; Everyday, 1986; From Eminescu
to Nicolae Labis, 1989; The Second Life, 1997; Contemporary Romanian Poetry,
I-II, Editura revistei "Convorbiri literare", 2000
Poet si critic in acelasi timp, fara confuzia de planuri obisnuita in
asemenea cazuri, Gheorghe Grigurcu s-a impus mai cu seama prin activitatea sa
de cronicar al actualitatii literare, activitate de-a lungul careia a dovedit
intransigenta morala si estetica, precum si o consecventa in negatie impinsa
uneori pana la eroare. Opiniile sale, patimas transante, nu o data excesive,
sunt servite de o expresie demna, structural metaforica, deseori memorabila.
(Mircea Martin)
Poet and critic at the same time, without the usual confusion produced in such
cases, Gheorghe Grigurcu stands out mostly through his activity as a chronicler
of the literary present, in which he has proved moral and aesthetic intransigence
as well as a consistency in negation sometimes bordering on error. In his opinions,
he is passionately taking sides, many times excessive, but always finds a dignified,
structurally metaphoric, often remarkable expression. (Mircea Martin)
