Drumul egal al fiecarei zile, Bucuresti, 1975 - editia a II-a, 1978; Daruieste-ti o zi de vacanta, Bucuresti, 1979; Dimineata pierduta, Bucuresti, 1983; Vara-primavara, Bucuresti, 1989

The Even Way of Each Day, 1975 - second edition, 1978; Give Yourself a Vacantion Day, 1979; Lost Morning, 1983; Summer-Spring, 1989

Ce se remarca intai in proza Gabrielei Adamesteanu este cruzimea ei realista. Notele traditionale ale literaturii feminine lipsesc aproape total in romanele si povestirile dure, interesate de culorile terne ale cotidianului si de cronologia existentelor mediocre. Modelul Hortensia Papadat-Bengescu este parasit, in naratiune se afirma, pe fata, o observatoare "rea", neinduplecata a imperfectiunilor umane. (Eugen Simion)

What strikes one from the beginning in Gabriela Adamesteanu's prose is her realistic cruelty. The traditional traits of feminine literature are almost totally absent from her tough novels and stories, concerned with the dull colors of everyday life and the chronology of mediocre lives. Hortensia Papadat-Bengescu's model has been discarded, and the narrative is boldly sustained by a "nasty", merciless observer of human imperfection. (Eugen Simion) r9j10jj

Dimineata pierduta a atras atentia de la inceput datorita caracterului ei modern, ilustrat prin multiplicarea perspectivelor narative si pe folosirea pe scara larga a monologului interior. Scriitura multipla, imbinand impresia de oralitate a stilului indirect liber cu exprimarea devitalizata, riguros gramaticala, a constituit un alt centru de interes al acestei carti. (Gh. Perianu)