e5q9qj

1933 poeta, prozatoare si traducatoare poetess, prose writer and translator

Vina nu e a mea, 1968; Captivitatea cercului, 1970; Scrisori neexpediate, 1978; Opinii despre durere, 1980; Inima ca un pumn de boxeur, 1982; Piata cerului, 1986; Cantece, 1989; Sapunul lui Leopold Bloom, 1993; Dactilografa de noapte, 1996;Capricii periculoase, 1998; Spitalul manechinelor, 1998 - editie electronica, 2001; Sexagenara si tanarul, 2000; Fasanenstrasse 23. O vara la Berlin, Editura Vinea, 2001

A. Strindberg, Vrajitoarea, 1981; Knut Hamsun, Ultimul capitol, 1983; Barbara Bronnen, Povara (in colaborare cu George Almosnino), 1987atraducerii

It Is Not My Fault, 1968; The Captivity of the Circle, 1970; Unsent Letters, 1978; Opinions about Pain, 1980; The Heart Like A Boxer's Fist, 1982; Heaven Plaza, 1986; Songs, 1989; Dangerous Whims, 1998; Mannequins' Hospital, 1998

A. Strindberg, The Witch, 1981; Knut Hamsun, The Last Chapter, 1983; Barbara Bronnen, The Burden, 1987 (in cooperation with George Almosnino) atranslationsi

De un prozaism ferm, de o cruzime taioasa, poezia Norei Iuga este in acelasi timp de o rara indrazneala a inspiratiei. Autoarea insasi e o Cenusareasa ce reuseste - explozia spatiului inchis e deosebit de spectaculoasa - sa evadeze adesea din bucatarioara in care gateste si scrie in “piata cerului”, o piata a sufletelor de poeti, desigur, acolo unde au loc marile baluri ale fanteziei. (Valeriu Cristea)

Evincing both firm prosaism and sharp cruelty, Nora Iuga's poetry shows, at the same time, an uncommon audacity of inspiration. The author herself is a Cinderella who often succeeds (the explosion of enclosed space is very impressive) in escaping from her kitchenette, where she cooks and writes, to “Heaven Plaza”, a place filled with the souls of poets, of course, where the great balls of fantasy take place. (Valeriu Cristea)