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1943 poet, prozator, eseist si traducator poet,prose writer, essayist and translator

Marile Eleusii, Cluj, 1971; Nevazutele Urse, Cluj, 1975; Magda Isanos. Drumul spre Eleusis, Bucuresti, 1975; Cantece de viscol, Bucuresti, 1976; Anonimus, Cluj, 1977; Ascunsa truda, Bucuresti, 1979; Grigore Alexandrescu. Parada mastilor, Bucuresti, 1981; Joia patimilor, Bucuresti, 1981; Recurs la singuratate, Bucuresti, 1982; Starea bizantina, Cluj, 1983; Apararea lui Socrate, Bucuresti, 1985; Mesterul Manole sau imanenta tragicului, Bucuresti, 1986; Anotimpurile, Cluj, 1987; Zborul gastei salbatice, Bucuresti, 1989; Ferestre, 1990; Lieduri, 1992; Iesirea din Europa, 1996

Gerard Bayo, Exod/Exode, 1987 atraducerei

The Great Eleuses, 1971; The Unseen Bears, 1975; Magda Isanos. The Road to Eleusis, 1975; Anonymus, 1977; The Hidden Toil, 1979; Grigore Alexandrescu. The Masquerade, 1981; Maundy Thursday, 1981; The Byzantine Mood, 1983; Socrates's Defence, 1985; Master Manole or the Imminence of the Tragic, 1986; The Flight of the Wild Goose, 1989; Windows, 1990; Lieder, 1992; The Exit from Europe, 1996

Gerard Bayo, Exodus, 1987 atranslationi

Horia Badescu scrie, in umbra unui mare model liric, Blaga, o poezie spiritualizata, obsedata de ritmurile si tiparele universului. Obiectele, procesele naturii, micile gesturi existentiale sunt puse in relatie cu marile mituri si poemul vrea sa prinda semnele misterioase din jur si, in loc sa le decodifice, le traduce in limbajul tainei. Poetica folosita de aproape toti echinoxistii... (Eugen Simion)


Horia Badescu writes in the shadow of a great lyrical model, Blaga, a spiritualized poetry, obsessed with the rhythms and patterns of the universe. Objects, natural processes, small everyday gestures are related to great myths, while the poem attempts to catch the mysterious signs around, translating them into the language of secrecy, instead of decoding them. A poetics employed by almost all the members of the Equinox group... (Eugen Simion)

Critica lui Badescu e comprehesiva, generoasa si atenta la nuante, cautand insa cu prioritate nota definitorie a operei cercetate ("viziunea mioritica" si universul "vegetal" in cazul Magdei Isanos). Mai conceptuala... e interpretarea consacrata lui Grigore Alexandrescu... Indrazneata cu adevarat e viziunea asupra baladei Mesterul Manole, considerata "o tragedie in esentialitatea sa simbolica si artistica, in spiritul sau, in trama sa, in personajele sale, in alcatuirea articulatiilor sale", a carei exegeza e intreprinsa de Badescu intr-o stransa confruntare cu conceptele tragediei... (Al. Cistelecan)